In The Orphanage, 2007, this shot was taken from my favourite scene. Having
chosen this as my final image analysis, I feel that “J.A. Bayona” will really
give me a chance to investigate the style of psychological horrors by using one
of my favourite horror films.
Standing
central to the frame, a young boy, representing the protagonist’s son, Simon (Roger Princep) mysteriously
stares down the corridor, captured with a long shot, wearing the typical
uniform worn by the orphans previously living in the home. From the knowledge
of the audience, we already hear the story about the poor young boy who was
severely handicapped and was brutally abused and killed. Having previously seen
an old film with the young boy in it, we automatically associate this image with
the dead boy. With a sack on his head and a face sewn into it, the young boy
appears like a fast moving monster or psychotic killer but also includes an
emotional attachment that the audience feel for him.
When
focusing on cinematography, point of view shots show how Laura (Belen Rueda)
has a fear of being trapped, being in the bathroom whilst Simon blocks the
exit. In terms of mise-en-scene, low key
lighting enables the creepy location of the orphanage to evoke a sinister and
gloomy atmosphere. Both the costume and the mask work well together to
illustrate the connection between Simon and the handicapped child who died in
the orphanage. By a handicapped child being portrayed as frightening, I feel
that a Cultural Dominant Ideology of outsiders being strange is shown through
the diegetic heavy breathing coming from the child connoting this fear of the
different.
I
feel that Andrew Bazin’s theory of “Genius of the System” is demonstrated
throughout this scene by the narrative, formulas and visual style generating as
much power as the auteur. All of the
horror conventions successful used lead to an arresting and memorable scene.
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